星期二, 10月 23, 2007

REMIXING CINEMA: FUTURE AND PAST OF MOVING IMAGES

Lev MANOVICH, internationally renowned media and art theorist
(Russia/USA)
Sean CUBITT, expert in film and media theory (Great Britain/Australia)

Cinema as a visual phenomenon has accelerated increasingly over the
last decades. Technical achievements at the material level like new
participatory models driven by the melting of Internet, Databases, TV
and Cinema are setting new standards and bringing a new dynamic to the
black-box of the movie theater.
Remixing, Coding, Remapping, and Recombination of visual manifestations
are revolutionizing the narrative form of film - new societal phenomena,
like the VJ scene, generate immersive viewing spaces and new forms of
moving image distribution. The domain of video, film, computer and
net-based installations stands on the threshold of a material
revolution: do they bring a new aesthetic?
Revolutionary possibilities in camera and projection techniques offer
increasingly faster development cycles that also allow for innovative
image languages. New historical perspectives of the cinematic revue
coalesce with innovative interpretations of our visual consumer culture
and foretell future developments. What can be expected ... what are the
consequences?

* Introduction: Oliver GRAU, Director Department for Image Science,
Danube University *

Danube TeleLecture # 4 from the MUMOK, MuseumsQuartier, Vienna
Time: Thursday, Nov 8, 2007, 7:00pm CET (Start of Streaming)
which is

+ You can attend the event in MUMOK or in realtime over the www +
http://www.donau-uni.ac.at/dis

After the lectures the audience will have the possibility to ask the speakers questions.Internet users may join the discussion via e-mail.

Sean CUBITT
Current Publications: Projection: Vanishing and Becoming, in:
MediaArtHistories (2007); The Cinema Effect (2005); Aliens R Us: The
Other in Science Fiction Cinema (2002); Digital Aesthetics (1998);
Videography: Video Media as Art and Culture (1993).

Lev MANOVICH

Publications: Abstraction and Complexity in: MediaArtHistories (2007);
Black Box : White Cube (2005; Soft Cinema - Navigating the Database
(2003/5); The Language of New Media (2001)

The Department for Image Science at Danube University Krems created a new format of international lecture and debates on key questions of Image Science and Media Art with high-caliber experts - the DANUBE TELELECTURES. The discussion will be recorded by several cameras and transmitted live over the www. Online viewers can participate in the discussion via email. So far the debates have included: Machiko KUSAHARA, Sarat MAHARAJ, Gunalan NADARAJAN, Christiane PAUL, Paul SERMON, Jens HAUSER...


contact: Wendy Coones, M.Ed.
Tel: +43 (0)2732 893-2543
http://www.donau-uni.ac.at/dis

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