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星期二, 3月 04, 2008

Win an Exclusive Weekend Break in Manchester (Just Closed)

Can't believe that I missed the deadline :(


Asia Triennial Manchester (ATM08)
opens 5 April -1 June 2008 in Manchester and is conceived by Shisha, the UK’s premier international agency for contemporary South Asian crafts and visual arts, in partnership with Castlefield Gallery, Chinese Arts Centre, Cornerhouse, The International 3, Manchester Art Gallery and Manchester Metropolitan University.
ATM08 is a new international festival featuring some of the best contemporary visual artists from Mainland China, Hong Kong, India, Korea, Singapore and Taiwan. The programme includes:

• new exciting and challenging exhibitions of artwork that
• hasn’t been seen in the UK before
• stunning new commissions reflecting Manchester
• innovative international artists’ residencies
• surprising performances

Exploring the theme of ‘protest’ in its widest sense, ATM08 presents a range of views and perspectives on Asia and Manchester in the 21st century - echoing Manchester’s radical political and social history, reflecting new artistic practice and seeking resonances between Manchester and Asia. Through a framework devised by Shisha, each of the partner venues has used the theme as a starting point to create their own individual exhibitions and residencies.


by Kong Kee
EXTRA : Kongkee (Hong Kong)
Breathe Artist in Residency


Thursday 1 May - Sunday 29 June
Open Studio Thursday 26 - Sunday 29 June

Hong Kong comic artist Kongkee explores his interest in social interactions and sense of place through his striking comic style drawings and animations. For his residency at Chinese Arts Centre as part of ATM08 and Tatton Park Biennial 2008, Kongkee will work with Manchester s elderly Chinese community inviting them to share their perceptions of the city. Using his findings, Kongkee will create new works documenting his journey through the real and imagined Manchester.

星期四, 10月 11, 2007

Dead Language

From 18th to 22th October @ICA London:


Platoons of the latest replicas of Banksy roam the landscape, led by General Clone Banksy, a talentless nobody who once found a sample of Banksy DNA on an empty spray can. A rowdy gang of Tracey Emins wrestle half a dozen dazed Andy Warhols to the ground. It is the future and all forms of art are free, perfect replicas exist of every masterpiece ever created, copyright and ownership are meaningless, ideas are cheap and replicated ad infinitum. Artists have realised that their own identity is the only thing they can own or control, so fans become clones of artists in order to spread their art/identity. One final piece of uncorrupted art remains, yet to be copied: a living story told by Neonate Muses. Come and experience the living story and see how the world died with FoolishPeople's immersive, evolving performance in the ICA theatre. On the Saturday afternoon, a workshop with writer and director John Harrigan will give participants a chance to examine the core concepts of Dead Language: open-source myth, weaponised art and the future of intellectual rights within a dead culture.


"There's a layer to art and entertainment now that's stopping us thinking, it's coming between us and common sense": read Loma-Ann Bonner's interview with Foolish People's John Harrigan in Open Magazine.

www.foolishpeople.org


Interesting !!

星期六, 11月 25, 2006

Inspiration from Hong Kong


Sources : Futherfield
F.wish is a new online project commissioned by Folly by Boredom Research based on the Lam Tsuen Wishing Trees. In Hong Kong near the Tin Hou Temple you can visit these trees, write your wish on a “bao die”, tie it to an orange and throw it up into the branches. If your wish is caught in the branches it is said to come true. The tree used to be a camphor tree where a tablet for worshipping Pak Kung was placed before it withered and became hollow. The myth goes that a worshiper prayed to the tree to fix his son who was slow in learning. The granted wish led to many more wishes being made of the tree.

F.wish has the same warm and friendly characteristics of all of Boredom Research’s work. Processing has not so much changed the style of their work but added to it allowing a greater amount of diversity than what is possible using Director, which although respected has been shied into being seen as a multimedia presentation platform that lacks the support of Java and Flash, especially on the internet. Some of the animated elements in f.wish move with a fluidity this author knows very well: the increasingly popular physics library for Processing. The “bao die” have been given a playful elastic nature and the text seems to drift in a blow away delightfully. I sent some questions to Boredom Research about their new piece and they were kind enough to give me some very exhaustive replies.

Read the interview.

星期三, 11月 15, 2006

CHARLES ATLAS: Hail The New Puritan Video 1975-2005


Tate Modern presents the first UK survey of work by video pioneer Charles Atlas, one of the the most acclaimed interpreters of dance, theatre and performance on video. His vibrant, provocative pastiches of narrative, performance and documentary have featured collaborations with international artists, performers and choreographers, including Merce Cunningham, Michael Clark, Leigh Bowery, Yvonne Rainer, Marina Abramovic, John Kelly, Sonic Youth, and Karole Armitage. For Atlas, the theatricality and physicality of dance and performance are points of inquiry into artifice, fiction and reality. This series features legendary videos, including Hail the New Puritan, Because We Must, Put Blood in the Music, and Rainer Variations.

For more information about the programme of screenings visit http://www.tate.org.uk/modern/eventseducation/film/charlesatlashailthenewpuritan.htm

The survey coincides with the European tour of Turning, Atlas’s new collaboration with Antony and the Johnsons ( http://www.forma.org.uk ), and Atlas’s solo exhibition Instant Fame!, which takes place 23 November – 3 December 2006 at Vilma Gold ( http://www.vilmagold.com ). Charles Atlas is a recipient of the John Cage Award 2006.