V.O.S.T. OV/OT explores the connections between cinema, video art and digital art. The starting points are subtle, intermediate and functional elements of the cinema industry, such as subtitles and dubbing used by artists for appropriation and diversion. This program gives a central place to language, transcription and translation.
With: Martin Arnold, Armel Barraud, Pierre Bismuth, Frederico Camara, Jordi Colomer, DEMOLECULARISATION, Christoph Draeger, Reynald Drouhin, Yan Duyvendak, Mario Garc’a Torres, Omer Fast, Xavier Gautier, Pierre Huyghe, Kuda.org, Florence Lazar, Danilo Mandic, Julie Morel & Jocelyn Cottencin, ProjectSinge, Nicolas Provost, RYbN, Anri Sala, Keith Sanborn, Antoine Schmitt, Peter Tscherkassky, Virgil Widric.
Curators: Alexis Chazard & Marika Dermineur.
Exhibition at iMAL with video, sound, digital and interactive installations:
A Tank translated, Omer Fast (is), 2002, Video installation
Black box (Sounds of a society), Danilo Mandic (mk), 2007, Sound installation and publication.
Cinéma muet, Armel Barraud (fr), 2006, Video installation
Je sais, Antoine Schmitt, 1996-1998, Computer, generative algorithms.
L.O.S.T, RYbN, 2009, Computer programmed video installation, LCD screens.
Monkey Party, projectsinge (fr-be), 2006, Video installation
NINGEN, Frederico Camara (br), 2006, Multi-screen video installation
Psychic, Antoine Schmitt (fr), 2004, Interactive installation
Installation at Cinema Nova during de screenings and performances evening:
La philtreraie, Boris Nordmann, Installation
Screening sessions at iMAL every evenings of the exhibition at 20:00:
Al-Haj Mitwalli's Family: Proposal for an Improbable American TV program, Pierre Bismuth (fr), 2006
Babelkamer, Jordi Colomer (es), installation, 2007
Black out, Reynald Drouhin (fr), 2006, 6'
Helenès (Apparition of Freedom), Christoph Draeger (nl), 2005, 18'30''
Intervista, Anri Sala (Al), 1998, 26'
Le lieu de la langue, Florence Lazar (md/fr), 2007, 10'
Safe distance, Production: US AIR Force, Postproduction: kuda.org, New Media Center, Novi Sad, Video black & white & blue, 21'
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Blanche Neige Lucie, Pierre Huyghe (fr), 1997, 4'
E.T. and me, Xavier Gautier, France, 2000, video, color, sound, 1’
Fast Film, Virgil Widric (at/lux), 2003, 35 mm, silent, 14'
I scream, Julie Morel & Jocelyn Cottencin (fr), 2009, generative computer program transferred on video, various length
Michiko, Xavier Gautier (fr), 2000, video, color, silent, 0´48”
Œil pour œil, Yan Duyvendak (nl), 2002, 6'
Outer Space, Peter Tscherkassky (at), 1999, 35 mm Scope, silent, 10'
Papillon d'amour, Nicolas Provost (be), 2003, DVD, b/w, 4’
Passage à l'acte, Martin Arnold (usa), 1993, 16 mm, silent, 12'
The Artwork in the Age of its Mechanical Reproductibility by Walter Benjamin as told to Keith Sanborn, Keith Sanborn (usa), 1996, video, 4'
tv sweet, Marie Daubert (fr), 1997, 6'
星期一, 5月 11, 2009
星期六, 9月 22, 2007
Symposium –The Art of the True Illusion and The Cinematic Experience
What’s new this year is that we will be holding two conference days, with themes such as Immersion – The Art of the True Illusion and The Cinematic Experience, a conference organised in association with Interface (a new academic platform set up by KASK (Royal Academy for Fine Arts, Ghent), Ghent University, Free University of Brussels & Utrecht University), Sint-Lukas Brussels – Transmedia.
These conference days are aimed at everyone who wants to know more about the theory behind technology and cinema. Speakers from Belgium and other countries will familiarize you with these subjects.
Media art is the ultimate medium when it comes to immersing the spectator in a virtual world.
The viewer can fight this newly created reality, he can endure it or get carried away by it. Fact is that images, words or music rarely leave you unmoved and sometimes linger in your mind. This phenomenon, called immersion, will be the subject of lectures by a number of artists, art historians and philosophers.
With: Oliver Grau, Marnix De Nijs, Christa Sommerer & Laurent Mignonneau, Eva Seela, Kurt Vanhoutte, Philippe Bekaert, Christel Stalpaert en Chiel Kattenbelt.
These conference days are aimed at everyone who wants to know more about the theory behind technology and cinema. Speakers from Belgium and other countries will familiarize you with these subjects.
Media art is the ultimate medium when it comes to immersing the spectator in a virtual world.
The viewer can fight this newly created reality, he can endure it or get carried away by it. Fact is that images, words or music rarely leave you unmoved and sometimes linger in your mind. This phenomenon, called immersion, will be the subject of lectures by a number of artists, art historians and philosophers.
With: Oliver Grau, Marnix De Nijs, Christa Sommerer & Laurent Mignonneau, Eva Seela, Kurt Vanhoutte, Philippe Bekaert, Christel Stalpaert en Chiel Kattenbelt.
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