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星期四, 10月 11, 2007

Dead Language

From 18th to 22th October @ICA London:


Platoons of the latest replicas of Banksy roam the landscape, led by General Clone Banksy, a talentless nobody who once found a sample of Banksy DNA on an empty spray can. A rowdy gang of Tracey Emins wrestle half a dozen dazed Andy Warhols to the ground. It is the future and all forms of art are free, perfect replicas exist of every masterpiece ever created, copyright and ownership are meaningless, ideas are cheap and replicated ad infinitum. Artists have realised that their own identity is the only thing they can own or control, so fans become clones of artists in order to spread their art/identity. One final piece of uncorrupted art remains, yet to be copied: a living story told by Neonate Muses. Come and experience the living story and see how the world died with FoolishPeople's immersive, evolving performance in the ICA theatre. On the Saturday afternoon, a workshop with writer and director John Harrigan will give participants a chance to examine the core concepts of Dead Language: open-source myth, weaponised art and the future of intellectual rights within a dead culture.


"There's a layer to art and entertainment now that's stopping us thinking, it's coming between us and common sense": read Loma-Ann Bonner's interview with Foolish People's John Harrigan in Open Magazine.

www.foolishpeople.org


Interesting !!

星期四, 4月 05, 2007

Open Source Cinema- Wiki Film and CopyLeft

OpenSourceCinema.orgis a collaborative documentary project to create a feature film about copyright in the digital age. Watch the trailer video, it is just what Hong Kong digital copyright law maker should really look into. Opening Nanny is awesome and I bet John Lennon, Lou Reed are proud of the soundtrack too.

Check out the wiki film page from Bret(creator of open source cinema)

Great discussion between an avid open source developer and Bret himself :
">As an avid open source developer, I'm sometimes puzzled about how the Open Source concept is >bantered around, without any real understanding of how it works in the real world.

The concept of Open Source is expanding beyond software. Check out http://en.wikipedia.org/wiki/Open_content

>Opens Source software projects are often very restrictive in nature, and have very few people who are >actually allowed to contribute to the source tree; this usually happens only after many months or even >years of proving that they can cut it as a core developer.

This isn't a project like that ;) . Ultimately, the film Basement Tapes will be assembled by me, but this space (the website) should be about Creative anarchy. It isn't owned by anyone and should be fluid. This is the difference between art and software - art needs a LOT of influence.

>Sadly, we live in a world short on modesty, where millions of talentless people suffer from the delusion >that they have something to offer the world.

damn! Luckily, we live in a world where increasingly, millions of people REALIZE they have something to offer the world!

P.S.
Roots of Rebellion – Oswald, Negativland and Culture Jammers
We have been talking about cut up the other day and Windful asked me about the difference between editing, collage and cut up, I hope this video can give some insight.

星期四, 3月 01, 2007

細看侵權刑事化諮詢文件

from 思考 :

日前,政府推出了侵權刑事化諮詢文件。當中,政府所建議的方案,有些極為嚴厲,影響著每一位有使用互聯網的香港人。知識產權關注小組寫了數篇文章,嘗試深入淺出地大家一起閱讀這份文件,分析當中的影響。

知識產權關注小組 - 細看侵權刑事化諮詢文件 (1)
知識產權關注小組 - 細看侵權刑事化諮詢文件 (2)
知識產權關注小組 - 細看侵權刑事化諮詢文件 (3)