New Director at The 54th Venice International Art Exhibition

The Board of the Biennale di Venezia, chaired by Paolo Baratta, has appointed Bice Curiger as Director of the Visual Arts Sector, with specific responsibility for curating the 54th International Art Exhibition to be held in 2011. A graduate of the University of Zurich, Bice Curiger is an art historian, critic and curator of exhibitions at an international level. Since 1993, she has been curator at the Zurich Kunsthaus, one of the most important museums in the world for modern and contemporary art, and which has for years implemented a major exhibitions programme of international significance. Bice Curiger is co-founder and editor-in-chief of “Parkett”, one of the most authoritative and innovative contemporary art magazines in the world, published in Zurich and New York since 1984. Since 2004, she has been publishing director of the “Tate etc” magazine ...

Bill Viola Creates Work For Venice Biennale

Bill Viola has created a major new work to be presented at the 52nd International Art Exhibition La Biennale di Venezia. Entitled Ocean Without a Shore, 2007, the three-screen High Definition video and sound installation was inspired by its setting – the 15th century intimate Venetian church of San Gallo.

Ocean Without a Shore presents a cyclical progression of images that describes a series of encounters at the intersection between life and death. Located near the Piazza San Marco the church of San Gallo was formerly a private chapel, and Viola directly incorporates its internal architecture into his piece, using the three existing stone altars as video screens.

Of the work Bill Viola states, “Ocean Without a Shore is about the presence of the dead in our lives. The three stone altars in San Gallo become transparent surfaces for the manifestation of images of the dead attempting to re-enter our world.”

“The video sequence describes the human form as it gradually coalesces from within a dark field and slowly comes into view, moving from obscurity into the light. As the figure approaches, it becomes more solid and tangible until it breaks through an invisible threshold and passes into the physical world. The crossing of the threshold is an intense moment of infinite feeling and acute physical awareness. Poised at that juncture, for a brief instant all beings can touch their true nature, equal parts material and essence. However, once incarnate, these beings must eventually turn away from mortal existence and return to the emptiness from where they came.”........

Will this be the reason to Venice? May be not. I think Bill Viola probably represents what Venice Biennale meant for us today.
Long Live Art (market ) and the 20 people that are controlling it. The same will apply here sooner or later.